The new issue of Sight and Sound
On the cover: 21st-century sci-fi special – from dystopias to dreamworlds, the essential science-fiction films of the millennium so far Inside: Cannes bulletin including interviews with Sandra Hüller and Bruce Dern, Sumitra Peries interviewed by Mark Cousins and we revisit David Robinson's 1966 visit to the set of Stanley Kubrick's 2001: A Space Odyssey
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Subscribe nowSight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
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Toy Story 5: screen-time overtakes creative play in Pixar’s imaginative tear-jerker
Despite its overstuffed plot, this return to the franchise is guaranteed to break hearts all over again as the toys fight for imagination and relevance in a world of screen-addicted children.
By Leigh Singer
Death becomes Visconti
By Michael Wood
Dry Leaf: Alexandre Koberidze’s low-res road movie is a quietly political ode to the ordinary
By Joseph Fahim
Familiar Touch: a lovingly told coming-of-old-age film
By Ela Bittencourt
Nino: a young man’s world is rocked by a cancer diagnosis in a poignant French New Wave-inspired drama
By Catherine Wheatley
A Private Life: Jodie Foster anchors this elegant but underpowered Parisian mystery
By Philip Concannon
Blue Heron: Grief is not a problem to be solved in Sophy Romvari’s bittersweet debut
By Ian Wang
The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
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Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
Death becomes Visconti
Notorious for their opulence and melodramatic flair, the later works of Luchino Visconti astound us with the inexplicable, argued Michael Wood in this May 2003 feature.
By Michael Wood
A close encounter with Steven Spielberg
By Richard Combs
A “lethally perfumed neo-noir”: David Lynch’s Mulholland Dr.
By Graham Fuller
Blonde ambition: Legally Blonde reviewed in 2001
By Kay Dickinson
Beauties and the beast: Lina Wertmüller’s Seven Beauties and Martin Scorsese’s Taxi Driver
By Colin L. Westerbeck Jr.
Italian auteurs and American upstarts: the Cannes Film Festival in 1976
By Penelope Houston
“A film of marvels if not quite a marvellous film”: Shrek reviewed in 2001
By Kim Newman
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